Heghnar Watenpaugh, Ph.D.


Position Title
Associate Professor

Art History

158 Everson Hall

Associate Professor of Art History 
Undergraduate Advisor 
Urban and Architectural History in Islamic Societies

Ph.D., University of California, Los Angeles
M.A., University of California, Los Angeles
B.A. (summa cum laude), University of California, Los Angeles
A.A., Beirut University College

Appointed 2005, Program in Art History

Faculty Associate, Graduate Program in Cultural Studies
Faculty Associate, Graduate Program in Women and Gender Studies
Faculty Associate, Graduate Program in Performance Studies
Faculty Associate, Program in Jewish Studies
Faculty Associate, Program in Medieval and Early Modern Studies


Heghnar Zeitlian Watenpaugh specializes in the history of art and architecture in the Middle East, including architectural preservation, museums, and cultural heritage. Her book, The Image of an Ottoman City, was awarded the Spiro Kostof Book Prize from the Society of Architectural Historians. She has also received the Best Article Award from the Syrian Studies Association, and the Omer Lutfi Barkan Article Prize from the Ottoman and Turkish Studies Association. Her research has been supported by fellowships from the J. Paul Getty Trust, National Endowment for the Humanities, Fulbright-Hays, Social Science Research Council, the Center for Advanced Study in the Visual Arts at the National Gallery of Art, and the Office of the President of the University of California. She has served on the boards of the Society of Architectural Historians, the Syrian Studies Association, and the Historians of Islamic Art Association, among other professional organizations.


Islamic Artintroduction to the art, architecture and urbanism of societies where Muslims were dominant or where they formed significant minorities from the 7th through the 20th centuries

The Islamic CityIslamic visual culture studied through the prism of architecture and urbanism. Comparative history of the development of Islamic cities, selected themes in urban studies

Arts of the Islamic Book: the arts of the luxury book in the Islamic world, including critical study of the question of representation in Islam, the relationship of word and image, the discipline of calligraphy, ideas about beauty, representational strategies in Persianate painting, the development of art histories and of connoisseurship in Islamic societies

Art, Architecture and Human Rights: study of human rights as they relate to art, architecture, and cultural heritage. It examines dimensions of culture as a human right, as well as the artistic expression of human rights


Visual Theoryfoundation course in the graduate study of Art History. Study of the history and methods of art history. Study of the connections between the aesthetic theories that drive our field and the social history of the institutions that sustain it, including museums

Contests over Art: Culture, Conflict, and the Art World: during conflict and war, art and architecture are often among the first casualties. Opponents destroy each other’s cultural heritage, or appropriate it. What is the relationship of art and conflict? How do societies reconstruct their heritage after traumatic episodes? How do art institutions face contests over art? What is the role of art historians?


The Image of an Ottoman City: Imperial Architecture and Urban Experience in Aleppo in the Sixteenth and Seventeenth Centuries(Leiden: E.J. Brill, 2004).  Winner of the Spiro Kostof Book Award from the Society of Architectural Historians, 2006. www.brill.com/image-ottoman-city

Guest Editor, Special Issue: “Cultural Heritage and the Arab Spring,” International Journal of Islamic Architecture 5:2 (June 2016)

“Resonance and Circulation: The Category ‘Islamic Art and Architecture’,” in The Companion to Islamic Art and Architecture, eds. Gülru Necipoglu and Barry Flood (New Jersey: Wiley-Blackwell, Blackwell Companions to Art History series, in production)

“Preserving the Medieval City of Ani: Cultural Heritage Between Contest and Reconciliation,” Journal of the Society of Architectural Historians 73:4 (December 2014): 528-55. Winner of the Ömer Lütfi Barkan Article Prize from the Ottoman and Turkish Studies Association, 2015

“Architecture without Images,” International Journal of Middle East Studies, Roundtable: Studying Visual Culture, edited by Zeynep Çelik, 45:3 (August 2013), 585-88

“The Harem as Biography: Domestic Architecture, Gender and Nostalgia in Modern Syria,” in Harem Histories: Lived Spaces and Envisioned Places, ed. Marilyn Booth (Durham and London: Duke University Press, 2010), 211-36

“An Uneasy Historiography: The Legacy of Ottoman Architecture in the Former Arab Provinces,” Muqarnas: An Annual on the Visual Culture of the Islamic World, vol. 24 (2007), special issue: Historiography and Ideology: Architectural Heritage of the “Lands of Rum,” ed. Gülru Necipoglu and Sibel Bozdogan, 27-43

“Deviant Dervishes: Space, Gender and the Construction of Antinomian Piety in Ottoman Aleppo,” International Journal of Middle East Studies 37:4 (2005): 535-65. Winner of the Best Article Prize from the Syrian Studies Association, 2007

“Museums and the Construction of National History in Syria and Lebanon,” in The British and French Mandates in Comparative Perspective, ed. Nadine Méouchy and Peter Sluglett (Leiden: E. J. Brill, 2004), 185-202