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Colloquium Series
All events are held in Hart Hall 3201 at 4pm unless otherwise noted.
Click the drop down boxes for dates, speakers, and webinar registration links.
Fall 2024 Colloquia
Cultural Studies PhD students enrolled in CST 290 must submit colloquium papers for four events.
October 24, 2024
"Stars, Earth, and Coral: Pacific Entanglements and Futures Beyond the Human" featuring Aimee Bahng, Nicole K. Furtado, and Frances Tran
The Department of Asian American Studies presents a roundtable presentation on how we can reimagine futures when we center Pacific, Oceanic, and Indigenous histories, aesthetics, and ways of knowing. Such a reimagining will raise questions and topics such as: going beyond the human in imagining the future; critiquing settler colonial practices and their relationships to capitalism; interrogating the blindspots within Asian American studies in relation to projects of reimagining the future.
Aimee Bahng is Associate Professor and Chair of Gender and Women’s Studies as well as American Studies at Pomona College. Author of the award-winning book Migrant Futures: Decolonizing Speculation in Financial Times (Duke University Press, 2018), she has also co-edited the Keywords for Gender and Sexuality Studies volume, with the Feminist Keywords Collective, as well as a special issue of Journal of Asian American Studies on Transpacific Futurities with Christine Mok. Her current book project, Settler Environmentalism and Pacific Resurgence, engages environmental law’s settler colonial history and points to alternative models of planetary accountability that highlight ongoing Native Pacific environmental movements.
Dr. Nicole Kuʻuleinapuananiolikoʻawapuhimelemeleolani Furtado is a Kanaka Maoli writer and Assistant Professor at the University of California, Santa Cruz in the History of Art and Visual Culture department. Her research builds on the methodology of moʻolelo, or Kānaka Maoli storytelling, as a way to (re)imagine Indigenous futurities that move us beyond a “here-and-now” temporality and that which supports critical fabulations of Native relationality. Her work aims at centering how Indigenous digital arts restore kinship relations, develop land-based pedagogies that challenge the settler commercialization of land and landscapes, and emphasize the need for ethical networks of relations for how we encounter social technologies into the future. Nicole’s academic and creative writing has been published in Trans-Indigenous Science Fictions, American Indian Culture and Research Journal, Beyond Mimesis: Aesthetic Experience in Uncanny Valleys, and The New Routledge Companion to Science Fiction.
Frances Tran is a Lecturer of English at Rollins College. Her research and teaching interests focus on Asian American and multiethnic literature and the genres of science and speculative fiction. She has published pieces in American Quarterly, the Journal of Asian American Studies, and The Cambridge Companion to American Literature and the Body. Her current book project, Sensational Futures: On Asian Racialization and Speculative Aesthetics (Duke UP), examines discourses of Asian futurity and the multisensory worlds of Asian American speculative fiction.
Frances Tran is a Lecturer of English at Rollins College. Her research and teaching interests focus on Asian American and multiethnic literature and the genres of science and speculative fiction. She has published pieces in American Quarterly, the Journal of Asian American Studies, and The Cambridge Companion to American Literature and the Body. Her current book project, Sensational Futures: On Asian Racialization and Speculative Aesthetics (Duke UP), examines discourses of Asian futurity and the multisensory worlds of Asian American speculative fiction.
Thursday, 4:00pm-6:00pm, Hart Hall 3201
Counts as a colloquium for students enrolled in CST 290.
November 7, 2024
Jasbir Puar - details TBA
Thursday, 4:00pm-6:00pm, Hart Hall 3201
Winter 2024 Colloquia
Cultural Studies PhD students enrolled in CST 290 must submit colloquium papers for four events.
January 9, 2024
Samantha Pinto - "Reproducing the Black Womb"
This talk works through the historical weight of reproduction in global Black feminist thought via an analysis of the womb as material and metaphor. The womb is a site where transnational black feminist political desires meet in uneasy and temporary dialogue with each other and with the materiality of biology. Tracing material and metaphorical representations of the racialized womb across acute historical, geographic, national, and scientific contexts, I stitch together a feminist reproductive politics that centers on uncertainty rather than choice or justice.
Samantha Pinto is Director of the Humanities Institute, Professor of English, core faculty of Women’s, Gender, and Sexuality Studies, and affiliated faculty of African & African Diaspora Studies at The University of Texas at Austin. She is the author of Difficult Diasporas (NYU Press, 2013) and Infamous Bodies (Duke UP, 2020) and the co-editor of the Routledge Companion to Intersectionalities (2023), the book series “Black Feminism on the Edge,” and special issues of Feminist Formations and SAQ with Jennifer C. Nash. She is finishing a book on race and scientific discourse, with solo-authored books about feminist ambivalence and divorce in the works, alongside other collaborative and co-edited projects.
Tuesday, 4:00pm-6:00pm, Hart Hall 3201
January 18, 2024
Hentyle Yapp - “Govern Otherwise: Trash, Debility, and Degrowth”
This talk turns to a key scene for feminist new materialisms, China studies, and the environmental humanities: trash. By analyzing canonical works of contemporary Chinese art, I highlight how the logic of disposability enframes our understanding of not only discarded objects but also migrant workers. Under the demand for constant growth and consumption, both of these sites are often taken as evidence of China's rapid neoliberal development and/or a human-nonhuman divide. Broadly, I take stock of these dominant narratives in order to push our focus on trash and migrants to more fully account for our practices of consumption, highlighting rifts across rural and urban and across Global North and Global South. Through such rifts, we better understand how to think with labor, debility/disability, and Marxism, which ultimately clarifies what we do with and how we engage in transnational analysis. Through an account of debility and the environment, transnational analysis broadly offers utopic imaginations of governing otherwise. I thus turn to works by Chinese artists, Cao Fei and Song Dong, to imagine other ways to deal with heaps of trash and to exist beyond the call for constant growth and consumption.
Hentyle Yapp is associate professor of Performance Studies in the Department of Theatre and Dance at UC San Diego. He is the author of Minor China: Method, Materialisms, and the Aesthetic and the co-editor with C. Riley Snorton of Saturation: Race, Art, and the Circulation of Value; his writing has also appeared in American Quarterly, South Atlantic Quarterly, GLQ, and Journal of Literary & Cultural Disability Studies, amongst other venues. He is an associate editor with GLQ, where he curates a new section on Queer Aesthetics.
Thursday, 4:00pm-6:00pm, Hart Hall 3201
January 19, 2024
Eunjung Kim - “Scenes of In/dignity: Posthumous Care, Anonymity, and Thinking with Absence”
Presenting from her book in progress titled Dignity Archives, “Scenes of In/dignity” examines the memorialization of people with disabilities--most of whose names are unknown--who were killed in an institution in Sagamihara, Japan, in 2016, and an anonymous memorial of a person who died of neglect in an AIDS care hospital in Namyangju, South Korea, in 2013. These memorials convey not only that disabled people's right to life was denied by injustice, but also that their dignity continues to be violated after their deaths. Yet the sense of dignity's absence coexists with the affect of its presence, animated by the relationality formed in these memorial spaces. Challenging constructions of dignity as something that can be ascribed to a being or something that can be taken away, Kim explores radical materiality of dignity in moments when its absence is sensed and felt by others. The talk concludes with a discussion of the methodology of absence and its implications for the practice of transnational disability studies.
Eunjung Kim is an associate professor in the Department of Women’s and Gender Studies and Disability Studies Program at Syracuse University. She is the author of Curative Violence: Rehabilitating Disability, Gender and Sexuality in Modern Korea (Duke University Press, winner of the Alison Piepmeier Award and the James B. Palaise Award). She co-edited Crip Genealogies with Mel Y. Chen, Alison Kafer, and Julie Avril Minich (Duke University Press 2023). Her work appears in a variety of interdisciplinary journals, such as Catalyst: Feminism, Theory and Technoscience; Sexualities; GLQ; Social Politics and in edited collections, Against Health; Intersectionality and Beyond; Asexualities; Disability, Human Rights, and the Limits of Humanitarianism. Her work has been translated to Korean, Japanese, and Turkish. Her research and teaching focus on transnational feminist disability studies, Asian and Asian American disability studies, theories of otherness, vulnerability, asexuality, and queer inhumanism.
Friday, 4:00pm-6:00pm, Hart Hall 3201
January 22, 2024
Julietta Hua- “Insurance, Racial Power and the Financialization of Domestic Life”
How does insurance render the "economization of life" (Michelle Murphy) into a positive outcome of national economic activity rather than "violence without ethical crisis" (Denise Silva)? This presentation thinks about insurance as racial infrastructure. As such, insurance logics and the relations they enable render the value of labor a matter of (private) property, and that value of labor-property thus ultimately tied to (differentiating) bodies for national accumulation. Hence despite the formal end of the trans-Atlantic slave trade, its logics of accumulation continue to sustain and organize modern life in the form of (life, workers' comp, disability, health) insurance. By examining how reproduction, domestic labor, and the household sit at the crux of insurance, this presentation suggests that insurance's financialization of life naturalizes, rather than renders into ethical crisis, the violence of death by medical debt, forced un-housing, and labor's "race to the bottom."
Julietta Hua is professor of women and gender studies at San Francisco State University. She is co-author, with Kasturi Ray, of Spent Behind the Wheel: Drivers' Labor in the Uber Economy (2021); and author of Trafficking Women's Human Rights (2011). In addition to teaching courses in government, migration, law and human rights she continues to work with Oakland Hand in Hand, a domestic employer organization to advocate for domestic worker labor protections. She is also currently board chair of San Francisco Safehouse, a supportive housing non-profit for women who have experience sexual violence.
Monday, 4:00pm-6:00pm, Hart Hall 3201
February 22, 2024
Faye Gleisser - "The Work of Risk: Guerilla Art for Surviving the Carceral Present"
As laws governing the expression of dissent continue to morph, artists must anticipate the presence of police and the consequences of arrest, especially when creating confrontational or participatory performance and conceptual work on the streets, sidewalks, and in media transmissions beyond art-sanctioned spaces. How has the anticipation of punitive encounter taken shape materially, temporally, and sonically in art? Relatedly, in what ways has the mis- or under-recognition of the racialized, gendered, and sexualized conditions of artists’ differing vulnerability to state-sanctioned violence contributed to the normalizing of carceral relations in the stories we tell about riskiness and deviance in art practice? Art historian and cultural theorist Dr. Faye Gleisser addresses these questions and their political implications for the present in her new book, Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967-1987 (University of Chicago Press, 2023). In this book talk, Gleisser examines the complex relationship between artists' deployments of guerrilla tactics, state power, and policing from the 60's through the '80s. Drawing upon Black feminist and queer of color theories of spatialized power, Gleisser argues that artists’ calculation of arrest is a form of knowledge—punitive literacy—that reveals salient insights into the processes through which carceral violence is continually managed and reconfigured in art and cultural discourse.
Faye Gleisser (she/her) is an interdisciplinary art historian and curator of 20th and 21st century art, specializing in the history and theory of political violence, and expressions of gendered and sexualized raciality in visual and material culture. Her research and teaching are situated at the intersection of three main subject areas: performance and conceptual art and tactical intervention; the racial and carceral logics of archives; and curatorial ethics and canon formation. In her work, she approaches art as a material manifestation of sociopolitical conditions and artists as theorists of power and social encounter. Gleisser completed a PhD in art history and performance studies at Northwestern University and is Associate Professor of Art History and Critical Theory at Indiana University, Bloomington, where she is an affiliate of the Center for Research on Race and Ethnicity in Society. Her scholarship has appeared in Art Journal, Artforum, Journal of Visual Culture, and Aperture, and in catalogues for exhibitions such as The Propeller Group, Prospect.5 Triennial, and Out of Easy Reach. In her current research, Gleisser is investigating the entanglements of contemporary art, surveillance regimes, medical penology, and hormonal consciousness.
Thursday, 4:00pm-6:00pm, Hart Hall 3201
Register for the webinar: https://ucdavis.zoom.us/webinar/register/WN_gm0Xe-OxSryzJ5mr5IC_uw
March 7, 2024
Joseph Fischel - "The Feminist If Ambivalent Case For Decommisioning Rape Law"
In the 1970s, Michel Foucault suggested that we eliminate rape law. Nobody thought this was a good idea, feminists foremost. It probably still isn't. And yet, we know there are costs to statutorily segregating out sex crimes from other crimes, feminist and liberal reforms to rape law notwithstanding. Some of those costs include: revictimizing victims through cross-examination; sex crime as as an overrepresented contributor to racialized mass incarceration; the social outcasting of sex offenders and the attendant normalization of everyday (hetero)sexuality; more amorphously and maybe more invidiously, the discursive reproduction of girls' and women's bodies as thing-like, violable, and degradable; more speculatively and maybe more provocatively, the discursive doubling of rape as a harm-worse-than-death. Are the benefits worth the costs? If rape law once protected the property transfer of white girls and women from their fathers to their husbands, second wave and later reforms repurposed rape law in the service of protecting rights-bearing citizens. But retaining the "sex" of sex crimes meant reconstructing rather than relinquishing the specialness of sex. On this read, the distinction between sexual assault and assault is not between a violation of property and a violation of the person, but rather a distinction between a violation of personhood and the person. The dilemma remains whether rape law can or has shed its gendered, proprietary residuals. This paper meditates on some possibilities of decommisioning rape law. What might be the advantages (and disadvantages) of deploying criminal assault and battery laws, civil rights remedies, and torts to remedy sexual violence in rape law's stead?
Joseph Fischel is a theorist of sexual and social justice. His scholarship on the regulation of sex, gender and sexuality traverses queer studies, critical race and feminist legal theory, and normative political thought. Fischel's first two books are on the magnetizing force of consent in U.S. law, media culture, and activism: Sex and Harm in the Age of Consent (2016) and Screw Consent: A Better Politics of Sexual Justice (2019). His current book project, Sodomy's Solicitations: A Right to Queerness, interrogates Louisiana sodomy laws to advance a queer politics that contests the state's deployment of sex. Fischel is also co-editor of Enticements: Queer Legal Studies (2024).
Thursday, 4:00pm-6:00pm, Hart Hall 3201
Register for the webinar: https://ucdavis.zoom.us/webinar/register/WN_aPpqFO_pTcSXota-v0oK3g
Spring 2024 Colloquia
Cultural Studies PhD students enrolled in CST 290 must submit colloquium papers for four events
April 4, 2024
Alisa Bierria - "Structural Racism within Reason"
This talk will examine reason as a basis of structural racism. It explores two key black feminist critiques of reason — Patricia Hill Collins’ discussion of “controlling images” (2000) and Michelle Cliff’s concept of the “mythic mind” (1982) — to propose "controlling intentions" as a framework to theorize how structural racism produces fictive intentions used to rationalize the criminal punishment of survival and justify that outcome as common sense. As an example, this discussion analyzes the 2011 Stand Your Ground hearing of Marissa Alexander to illustrate how reason provides a vehicle through which structural racial/gendered violence becomes naturalized within the law.
Alisa Bierria is an assistant professor in the Department of Gender Studies at UCLA. A Black feminist philosopher, Alisa's forthcoming book is entitled, Inconceivable Agency: Race, Gender Violence, & the Carceral Imagination," which explores how intention is imagined and invented within structures of anti-black racism, carceral reasoning, and gendered violence. Alisa has also co-edited a two volume collection entitled, Abolition Feminisms (Haymarket, 2022) and her work has been published in American Quarterly, Hypatia: A Journal of Feminist Philosophy, American Philosophical Quarterly, Feminist Philosophical Quarterly, Journal of Social Philosophy, and in numerous scholarly volumes, public anthologies, and op/eds.
Thursday, 4:00pm-6:00pm, Hart Hall 3201
April 11, 2024
Amanda Batarseh - “The Radical Poetics of Palestinian Space”
Amanda Batarseh’s current book project, Rooted Movements: Radical Analytics and the Palestinian Poetics of Space, explores decolonial literary critique through Palestinian narrative and poetic space. Analyses of Palestinian poetics often expose the violent structure of ongoing-Nakba – the Zionist settler-colonial uprooting and removal of Palestinians (both physically from the land and physiologically from life) since 1948. Thinking beyond colonial epistemology, however, is not merely a task of refuting settler-colonial narratives but of dismantling the very ways of knowing that produce them. Rooted Movements re-centers a Palestinian rather than settler-colonial analytic through the lens of “radicality,” which encompasses both Palestinian rootedness and revolutionary movement. This radicality both predates and regenerates in contravention of settler colonialism’s violent uprootings/removals, unsettling colonial-national constructs of spatial belonging, and cohering the decolonization of literary analysis to the decolonization of our physical geographies. Palestinian writers navigate the dynamic tensions between rootedness and movement to forge liberatory pathways, opening up alternative horizons of political and creative possibility.
Amanda Batarseh is an Assistant Professor of Arabic and Comparative Literature at the University of California, San Diego. She received her Ph.D. in Comparative Literature from UC Davis and was a UC Chancellor's Postdoctoral Fellow at UC Riverside in the Department of Languages and Literature. Her recent publications include “Centering Place in Tawfiq Canaan’s Literary Cartography” (Journal of Palestine Studies, 2023) and “Raja Shehadeh's ‘Cartography of Refusal’: The Enduring Land Narrative Practice of Palestinian Walks” (Cambridge Journal of Postcolonial Literary Inquiry, 2021).
Thursday, 4:00pm-6:00pm, Hart Hall 3201
April 25, 2024
Evren Savcı - "Monogamy and its Discontents"
In contemporary Turkey, polygamy is often understood as a backwards, uncivilized and patriarchal practice, both a vestige of the Ottoman past, as well as stemming from the insufficient secularization of pious Muslim subjects who practice it. In return, monogamy is imagined as the progressive, civilized, and equal form of marriage. Yet these days, other, emergent forms of nonmonogamy complicate the historical opposition between polygamy and monogamy as backward/traditional and progressive/modern. These are various forms of what is referred to as “consensual nonmonogamy” as practiced by queer, non-binary and trans identified subjects in Turkey. This results in the “traditional” polygamy to be cast as doubly uncivilized/backward. I argue that centering not liberal notions of freedom and consent, but feminist and queer Marxist notions of enclosure, privatization, reproductive labor, value, alienation and (queer) commons, we can glean similarities in these two forms of organizing intimacy that at first sight seem to fall on opposite ends of the binaries of modern/traditional, feminist/patriarchal, free/unfree, civilized/backward, secular/religious.
Evren Savcı is Assistant Professor of Women’s, Gender and Sexuality Studies at Yale University. She is the author of Queer in Translation: Sexual Politics under Neoliberal Islam (2021, DUP) and co-editor of the South Atlantic Quarterly issue "Transnational Queer Materialism" with Rana Jaleel (UC Davis). Savcı’s work has appeared in Journal of Marriage and the Family, Ethnography, Sexualities, Political Power and Social Theory, Theory & Event, Journal of Feminist Studies in Religion, GLQ, and New Perspectives on Turkey. Savcı received her Ph.D. in Sociology from University of Southern California, and her master’s and bachelor’s degrees in Sociology from University of Virginia. Following her Ph.D., she was a postdoctoral fellow at The Sexualities Project at Northwestern (SPAN).
Thursday, 4:00pm-6:00pm, Hart Hall 3201
May 2, 2024
Anna Storti - "Torn: Asian/white Life and the Intimacy of Violence"
This talk extends an invitation to study the intimacy of violence, a theorization for attending to, on the one hand, the ways violence courses through patterns of intimacy, and on the other, the lingering effects of imperial violence that translate into physical, psychic, and affective tensions in the bodies of empire’s subjects. To do so, I follow a distinct racialized subject: the Asian American with white heritage. Asian/white life is often measured against a common assumption—that being of two or more racial histories is to be rendered a body in tension, torn between two ancestral lineages, torn, that is, by a legacy of imperial or colonial contact. Rather than refute this stance, I propose a conceptual shift towards tracking racial mixture as an enduring social friction, searching for the ways diasporic subjects challenge or internalize the logics of progress and disavowal that have long fueled the U.S. war machine.
Anna Storti is the Andrew W. Mellon Assistant Professor of Gender, Sexuality, and Feminist Studies at Duke University, where she also teaches in the Asian American and Diaspora Studies Program. An interdisciplinary scholar, Storti explores the aesthetic and affective relations between race, empire, violence, and pleasure, specializing in art and culture across the Asian diaspora. Her writing is published in Women & Performance: a journal of feminist theory, Frontiers: A Journal of Women Studies, Feminist Studies, and Asian Diasporic Visual Cultures and the Americas, among other venues, and is forthcoming with differences: A Journal of Feminist Cultural Studies.
Thursday, 4:00pm-6:00pm, Hart Hall 3201
May 14, 2024
Davarian Baldwin - "In the Shadow of the Ivory Tower: What Good is Higher Education for Our Communities?"
With an eye to local developments, like UC-Davis’ Aggie Square project in Sacramento, Davarian Baldwin will discuss what he calls the rise of UniverCities. What are the consequences of higher education’s growing control over the economic development and political governance of our communities? From housing and wage labor to health care and even policing, colleges and universities have become big business and our communities their company towns. Baldwin will draw from both his book, In the Shadow of the Ivory Tower and the work of his Smart Cities Research Lab to discuss the pitfalls when our communities become a campus and the more liberatory possibilities moving forward.
Davarian L. Baldwin is an internationally recognized scholar, author, and public advocate. He currently serves as the Raether Distinguished Professor of American Studies and founding director of Smart Cities Research Lab at Trinity College in Hartford, Connecticut. Baldwin is the award-winning author of several books, most recently, In the Shadow of the Ivory Tower: How Universities Are Plundering Our Cities (2021). His commentaries and opinions have been featured in numerous outlets from NBC News, BBC, and HULU to USA Today, the Washington Post, and TIME magazine. Baldwin was named a Freedom Scholar by the Marguerite Casey Foundation for his work.
Tuesday, 4:00pm-6:00pm, Hart Hall 3201
May 23, 2024
Jennifer Kelly - "Teaching Life in Gaza"
This talk details what it means to teach life in Gaza amidst cyclical genocidal bombardment. I draw from the sixth chapter in my first book, Invited to Witness: Solidarity Tourism across Occupied Palestine, which follows myriad virtual tours in Gaza and details the labor of Palestinian guides and organizers in the moments between the past several Israeli military incursions into the Strip. I argue that, through these virtual tours, Palestinians in Gaza are intervening in the severing of Gaza from the rest of Palestine and from the rest of the world, disrupting the circumscription of Palestine to the geographical borders of the West Bank, and intervening in narratives that position Gaza as solely a site of suffering, a site where tourism could never flourish. They are asking, instead, what it would mean if Palestinians in Gaza could invite tourists, host their own tours, control their own borders, live freely. I will speak about what this chapter means now, in a time of genocide, and the role of Palestinian journalists on the ground to similarly bring Gaza to the rest of the world as Israel attempts to render that connection impossible. In total, I will reflect on what is incumbent upon all of us as witnesses to this genocide.
Jenny Kelly is an Associate Professor of Feminist Studies and Critical Race and Ethnic Studies at University of California, Santa Cruz. Her first book, Invited to Witness: Solidarity Tourism Across Occupied Palestine (Duke University Press, 2023), is a multi-sited interdisciplinary study of solidarity tourism in Palestine that shows how solidarity tourism has emerged in Palestine as an organizing strategy that is both embedded in and working against histories of sustained displacement. Her next project, co-edited with Somdeep Sen (Rothskilde University) and Lila Sharif (Arizona State University) is Detours: A Decolonial Guide to Palestine, the next volume in the Detours Series at Duke University Press after the inaugural Detours: A Decolonial Guide to Hawai'i. She is also a Founding Collective member of the Institute for the Critical Study of Zionism and UCSC’s Faculty for Justice in Palestine.
Thursday, 4:00pm-6:00pm, Hart Hall 3114
Colloquium Series